Epitaph of Two Piping-Bullfinches... (from Epigrams, Epitaphs) – Carol Barnett

Composer: Carol Barnett Text by:  Horace Walpole, Earl of Orford (1717-1797) Instrumentation: SATB, 4-hand piano Duration: c 3:00] Date Written:  1987 Composer’s note: Epigrams, Epitaphs was commissioned in 1986 by the Grand Rapids [MN] Area Community Chorus, which wanted a new work for a program that also included the Liebeslieder Waltzes. This was the impetus for the four-hand piano accompaniment as well as the inspiration for the fourth song, stylistically an homage to Brahms. Looking for texts, I found Ben Jonson’s “On My First Son” and fell in love with it. This poem sets the tone for the entire work; all of the texts deal in some way with death (of beauty, of the poet, of two dickey-birds), thus the occasional use of the piano as a great tolling bell. The first three poems are also brief enough to be epigrams, hence the title. Of the five movements, “Epitaph on Two Piping-Bullfinches of Lady Ossory’s, Buried under a Rose-Bush in her Garden” is the most obvious parody of the Brahm