Testament: A Conduction Collection/Conduction #23

Quinzaine de Montreal The Spectrum, Montreal, Quebec, Canada; April 11, 1992 Tristan Honsinger, cello; Martin Schütz, cello; Eric Longsworth, cello; Michelle Kinney, broom-cello; Ken Butler, broom-cello; Helmut Lipsky, violin; J. A. Deane, trombone, live sampling; Guillaume Dostaler, piano; Mike Milligan, bass; Pierre Dubé, vibes Conducting is no longer a mere method for an interpretation, but an actual part of the process of composition. Conduction is a means by which a conductor may compose, (re)orchestrate, (re)arrange and sculpt both notated and non-notated music. Using a vocabulary of signs and gestures, many within the general glossary of traditional conducting, the conductor may alter or initiate rhythm, melody, and harmony; develop form and structure; and instantaneously change articulation, phrasing, and meter. Conduction is a viable musical tool for the improvising ensemble.                                                                —Butch Morris “Testament challenges n