The Meal

The Meal (1891) by Paul Gauguin depicts a still life and figure composition influenced by his time in Tahiti, combining elements of native culture and European painting tradition. The painting shows three Tahitian figures seated behind a table set with tropical fruits, a knife, and earthenware bowls, arranged in a simple and balanced manner. The figures appear calm and contemplative, their expressions subdued, creating a quiet, introspective atmosphere. Gauguin’s use of earthy tones and muted colors reflects the warm and natural environment, while his flattened forms and simplified outlines draw on his interest in Primitivism and Japanese prints. The composition emphasizes the harmonious arrangement of objects and figures, reinforcing a sense of stillness and cultural introspection. This work illustrates Gauguin’s departure from traditional Western realism, moving towards a style that blends symbolism with a fascination for the simplicity and purity he perceived in the indigenous