Prism Sound Titan Ultimate Collection Multichannel Audio Interface with UC Software

Prism Sound Titan Ultimate Collection Multichannel Audio Interface with UC Software Titan and Atlas are world class multi-track interfaces offering flexible expansion and unsurpassable sonic clarity. Using the latest generation of Prism Sounds trusted conversion, Titan is ideal for music and sound recording, multi-tracking, overdubbing, stem-based mastering, analogue summing and critical listening applications. Software included: Tracktion's Waveform Pro, F.'em, Biotek 2, Waverazor, Abyss, Hyperion, Spacecraft, RetroMod Complete Collection, DAW Essentials Collection, and SADiE 6 Software. F.’EM 11-Operator FM Synthesizer F.’em is one of the most powerful FM Synthesizers ever made, taking advantage of modern CPU resources to process its freely configurable 11 operator matrix. It’s a hybrid quad-timbral synthesizer that can function as an FM, VA and Sample-based instrument, with the added bonus of a dual multimode filter, a complex effect section and an incredibly flexible modulation matrix. BIOTEK 2 A powerhouse sampling and synthesis workstation BioTek 2 offers boundless sound design in a unique and inspirational environment. Not only is its engine more capable than existing offerings, but the choice to use natural and environmental samples gives the instrument its unique character. Extensive modulation and modifier routes are intuitively assigned and all parameters are available for DAW automation. Dive into the weird and wonderful immersive world of BioTek. WAVERAZOR Futuristic Virtual Synth A futuristic synth that gives you the power to splice waveforms into aggressive new sounds. The patented oscillator design utilizes a new form of synthesis to produce biting leads, glitched-out basses, cinematic pads and everything in between. ABYSS A visual synthesiser with character and a bit of fairy dust Based on spectral synthesis, Abyss adopts a unique approach by representing sounds with colours making it intuitive and instantly inspiring. It brings to you dark, vibrating drones, vivid cinematic pads and rich evolving textures. With Abyss you find instant inspiration for your music and sound design projects. HYPERION Multi-layer, Modular Synth Hyperion synth has been designed from the outset with sonic flexibility in mind whilst keeping modular patching approachable and easy to follow. Efficient processing enables up to 10 layers of complex sound patches providing An unlimited sound design playground inspired by 80’s legends such as Vangelis, Jean-Michel Jarre and Brian Eno. Hyperion is a contemporary digital modular masterpiece. SPACECRAFT Deep granular synthesis SpaceCraft is one of the most creative and inspiring granular synths ever made. Based on the hugely popular iOS app it’s well known for providing instant gratification and stunning, unique sounds. Two parallel granular engines provide grain frequency/length control, sample position LFO, stereo reverb/filter and pitch/ring-modulation. The innovative grain pitch sequencer, MIDI / MPE and live sampling capability open up further depths of performance and expression. RETROMOD INSTRUMENTS Classic Hardware Synths The RetroMod series of instruments puts the worlds most revered hardware synthesisers at your fingertips. And as the name suggests, this is more than just a collection of sample-based imitations – the goal of this series is to capture the soul of classic hardware synthesizers and push them in new directions, creating sounds simply unachievable from the source hardware. DAW ESSENTIALS COLLECTION 16 inspiring, contemporary DSP effects A collection of 16 contemporary FX plugins for use with any DAW. Utilizing the very latest algorithms and coding techniques, the plugins feature extraordinary sound quality in an extremely efficient package, allowing the plugins to be used liberally across a wide range of native computer systems. Empower your creativity with the DAW Essentials Collection. Technical Specifications FRONT PANEL Instrument Inputs 2 x 6.3mm mono jack sockets, auto-select to analogue inputs 1 & 2 when plugged Headphone Outputs 2 x 6.3mm stereo TRS Jacks, each with illuminated volume control Master volume Assignable encoder / push switch with halo indication Standby button with standby indicator (also flashes when unit is in ‘identify’ mode) Level Meters 10 x multi-segment bargraphs with overload indication, 8 for analogue, 2 for digital, assignable to inputs or outputs Input selection Indicate mode of analogue inputs 1-4 as Mic / line / inst & plus phantom power indicator for mic mode Overkiller For every analogue input, lit when Overkiller limiters are acting Digital Input indicators for digital input unlocked and SRC (sample-rate converter) selected Digital Output indicator for SRC (sample-rate converter) selected Sync Master indicator, lit when interface is providing system sync REAR PANEL Mic / Line inputs 1-4 4 x combo connectors with XLR sockets for mic input and 6.3mm TRS jack sockets for line input (balanced or unbalanced) Line inputs 5-8 4 x 6.3mm TRS jack sockets (balanced or unbalanced) Line outputs 1-8 8 x 6.3mm TRS jack sockets (balanced or unbalanced) Digital inputs 1 x RCA 1 x TOSLINK for S/PDIF or ADAT Optical input; (RCA can operate as AES3 input using XLR-RCA adapter supplied) Digital output 1 x RCA 1 x TOSLINK for S/PDIF or ADAT Optical output; (RCA can operate as AES3 output using XLR-RCA adapter supplied) Wordclock 2 x BNC sockets, output and input (75R) USB port 1 x USB 2 port Mains power 3-pin 6A IEC inlet SOFTWARE SUPPORT Mac OS Support OS X 10.5 or later on Intel and Apple M1 silicon Windows OS Support Windows Vista, 7 or 8, 32 or 64 bit Mac audio driver Core Audio device Windows audio driver ASIO and WDM Control Panel applet Graphical user interface for control of single or multiple Titan units under Mac OS X or Windows. ANALOG LINE INPUTS Configuration Electronically balanced, with fully-balanced analogue signal path Input Sensitivity Switchable ‘+4dBu’ (0dBFS = +18dBu) or ‘-10dBV’ (0dBFS = +6dBu) Input Impedance 14.5k OHM Unbalanced Mode Automatic Total harmonic distortion -117dB (0.00014%, -0.1dBFS) THD+N -111dB (0.00028%, -0.1dBFS) Dynamic Range 116dB (-60dBFS) Gain Accuracy +/-0.05dB LF roll-off -0.05dB at 8Hz; -3dB at <1Hz HF roll-off fs = 44.1kHz: -0.05dB at 21.1kHz; -3dB at 22.0kHz fs = 48kHz: -0.05dB at 23.0kHz; -3dB at 23.9kHz fs = 96kHz: -0.05dB at 32.0kHz; -3dB at 47.9kHz fs = 192kHz: -0.05dB at 32.0kHz; -3dB at 78kHz CMRR 20Hz..20kHz: >70dB Inter-channel cross-talk 1kHz: <140dB; 20Hz..20kHz: <-120dB Inter-channel phase 10Hz..5kHz: +/-0.25°, 5kHz..20kHz: +/-1.0°, 20kHz..50kHz: +/-2.0°, Overkiller Progessive limiter, auto-aligning, selectable per channel Impact Filter High-pass filter, -3dB at 80Hz, 40dB/decade (selectable for channels 1-4; whether in line, mic or instrument mode) RIAA de-emphasis filter Response accuracy: +/-0.22dB at fs=44.1kHz; +/-0.14dB at fs=48kHz; +/-0.015dB at other sample rates M-S matrix Allows direct connection of mid-side mics, or non-matrix mic-preamps (selectable for channels 1-4; whether in line or mic mode) MICROPHONE PREAMPLIFIERS Configuration Electronically balanced, with fully balanced analogue signal path Gain 10dB to 65dB in 1dB steps (0dBFS = -56dBu to -1dBu) plus switchable -20dB pad Gain accuracy +/-0.05dB Input impedance 5.5k OHM THD +10dB gain: -116dB at -0.1dBFS (0.00016%) +40dB gain: -110dB at -0.1dBFS (0.00032%) THD+N +10dB gain: -108dB at -0.1dBFS (0.00040%) Equivalent input noise (EIN) +30dB gain: -128.5dBu (0 OHM source); -126.3dBu (150 OHM source) +40dB gain: -130.9dBu (0 OHM source); -127.6dBu (150 OHM source) +50dB gain: -131.2dBu (0 OHM source); -127.7dBu (150 OHM source) +60dB gain: -131.4dBu (0 OHM source); -127.8dBu (150 OHM source) LF roll-off -0.05dB at 20Hz, -3dB at 5Hz HF roll-off As per analogue line input data (dependent on fs) CMRR 50Hz/60Hz: >110dB at all gains 1kHz: >100dB at all gains 20kHz: >90dB at all gains Phantom power +48V, switchable per channel Pad -20dB, switchable per channel INSTRUMENT PREAMPLIFIERS Configuration Unbalanced, high impedance buffer Gain 10dB to 65dB in 1dB steps, 18dB pad (0dBFS = -38dBu to 17dBu) Gain accuracy +/-0.05dB Input impedance 1M OHM ANALOG OUTPUTS Configuration Electronically balanced, with fully-balanced analogue signal path Output amplitude Switchable ‘+4dBu’ (0dBFS = +18dBu) or ‘-10dBV (0dBFS = +6dBu) Output impedance 100 OHM balanced, 50 OHM unbalanced Unbalanced mode Automatic, with bootstrapping level compensation Total harmonic distortion -107dB (0.00045%, -1dBFS) THD+N -106dB (0.00050%, -0.1dBFS) Dynamic range 115dB (-60dBFS) Gain accuracy +/-0.05dB LF roll-off -0.05dB at 8Hz, -3dB at <1Hz HF roll-off fs = 44.1kHz: -0.05dB at 21.4kHz; -3dB at 22.0kHz fs = 48kHz: -0.05dB at 23.2kHz; -3dB at 23.9kHz fs = 96kHz: -0.05dB at 32.0kHz; -3dB at 47.8kHz fs = 192kHz: -0.05dB at 32.0kHz; -3dB at 76kHz Output balance >50dB Inter-channel cross-talk 1kHz: <-135dB; 20Hz..20kHz: <-120dB Inter-channel phase 10Hz..5kHz: +/-0.4°, 5kHz..20kHz: +/-0.25°, 20kHz..50kHz: +/-0.5°, DIGITAL INPUTS Formats supported S/PDIF (RCA or TOSLINK), ADAT, ADAT S/MUX (TOSLINK) Sample rates supported S/PDIF (2 channel): 44.1, 48, 88.2, 96, 176.4 and 192kHz ADAT (8 channel) 44.1 and 48kHz ADAT S/MUX (4 channel): 88.2 and 96kHz Channel Status ignored Word-length 24 bit AES3 operation via S/PDIF RCA, using RCA-XLR adaptor (supplied) Sample-rate converter (SRC) Selectable at S/PDIF input; allowing input at any sample rate Bit transparency Maintained (allows recording of Dolby or DTS streams) DIGITAL OUTPUTS Formats supported S/PDIF (RCA or TOSLINK), ADAT, ADAT S/MUX (TOSLINK) Sample rates supported S/PDIF (2 channel): 44.1, 48, 88.2, 96, 176.4 and 192kHz ADAT (8 channel) 44.1 and 48kHz ADAT S/MUX (4 channel): 88.2 and 96kHz Channel Status Full implementation, Consumer (S/PDIF) or professional (AES3) Word-length 24 bit, or reduction to 16 bits using flat TPDF dither or Prism Sound SNS (Super Noise Shaping – four alternative shapes available) AES3 operation via S/PDIF RCA, using RCA-XLR adaptor (supplied) Sample-rate converter (SRC) Selectable at S/PDIF output; output rate can be referenced to Wordclock, DI or local clock at 44.1, 48, 88.2, 96, 176.4 or 192kHz Bit transparency Maintained in 24 bit mode (allows playback of Dolby or DTS streams to external decoder) SYNCHRONIZATION System sample rates 44.1 / 48 / 88.2 / 96 / 176.4 / 192kHz Master local, Wordclock, DI (S/PDIF input) or ADAT Slave bus master (another interface or Host computer) Local clock accuracy +/-50ppm Jitter rejection >60dB / decade above 100Hz Internal mixer delay (total analogue in to out) fs = 44.1kHz: 0.56ms; fs = 48kHz: 0.52ms; fs = 88.2kHz: 0.2ms; fs = 96kHz: 0.18ms; fs = 176.4kHz: 0.09ms; fs = 192kHz: 0.08ms; PHYSICAL Form factor 1U 19inch rack mountable (rubber feet and rack ears supplied) Dimensions Table top (inc feet): W: 440mm D: 290mm H: 50mm Rack-mount (inc ears): W: 483mm D: 290mm H: 44.5mm Power 90-250VAC, 50/60Hz internal power supply IEC 6A connector Power consumption 35W Fuse rating 0.5A(T), 20mm, ceramic Weight 3.7kg Operation ambient conditions 0 to 35°C, 85% maximum relative humidity Supplied Accessories Printed manual x 1 Software CD x 1 IEC mains lead x 1 19” Rackmount ears x 2 (pair) Allen key (for rack ears) x 1 USB lead x 1 USB B to USB C convertor x 1 XLR-F to RCA-M adaptor (S/PDIF/AES3) x 1 XLR-M to RCA-M adaptor (S/PDIF/AES3) x 1